In this exhibition, The Shape of what Remains, I explore memory, distance, and the fragility of family archives through layered relief prints and installation. Working from family photographs and domestic imagery, I investigate how memories change over time and become shaped by longing, absence, and political uncertainty. Using translucent Tengucho paper, carved linoleum blocks, and found domestic objects, I create fragmented and shifting images that reflect the unstable nature of remembrance. Rooted in my experience as an Iranian artist living away from home during periods of war and crisis, this work considers art as a space for grief, connection, and holding onto what remains.